In a small town in the old west, a lone and weary gunfighter enters a saloon. As he walks through the room surrounded by the people of the town, a voice begins narrating the scene, telling us exactly who this gunfighter is. But unlike every classic western to use the
narrator trope, the characters in this film can hear the voice. This omniscient narrator quickly begins divulging the deepest, darkest secrets of the people in the saloon. He exposes infidelity, homosexuality, prejudice, and even a bit of bestiality. As the story unfolds it becomes evident that the voice is a bloodthirsty bastard that wants nothing more than to see the people of the town kill each other in a needless gunfight.
Summer is coming to the end, the fruit is growing ripe on the trees. Grandpa gives his grandson a kite. As the boy is tossed around in the air, Grandpa catches him. Then the leaves fall and Grandpa has grown weak. A strong autumn wind carries him off into the cloudy sky. Winter comes, then spring...
The big wheel in the most exciting area of the city is the perfect real estate for Jakob and Nicole, a young, ambitious, and firmly in the event culture anchored couple. When one of the popular gondolas becomes free, they do not hesitate to move into their first common flat.
During a fight with her boyfriend on the street in Brussels’ Congolese neighbourhood, Eva escapes into a hair salon. The African women in the salon initially support her, seeing a woman in distress. But when they find out what the fight was about, opinions differ...
